Auditions
Southern Shakespeare Company auditions are open to all – from experienced performers to those stepping on stage for the first time. We are always thrilled to welcome new talent to our productions!
Auditions for adult (age 18+) union and non-union performers are held periodically throughout the year. (For auditions for Tallahassee area after school youth program, please see our Bardlings page.)
We advocate for diversity throughout our organization and strongly encourage auditions from members of traditionally underrepresented groups.
If you would like to receive email notification about future auditions, please use the button below to submit your name and contact information.
Current Auditions
AUDITIONS FOR A Midsummer Night’s Dream – January 25 and 26, 2026
Audition Notice: Southern Shakespeare Company is now holding auditions for our immersive spring 2026 production of A “Walking” Midsummer Night’s Dream, performed April 30–May 9, 2026, at the Tallahassee Museum.
Audition Info
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Day 1: Sunday, January 25 | 10:00 AM – 2:00 PM
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Day 2: Monday, January 26 | 4:00 PM – 6:00 PM
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Callbacks: 6:00 PM – 7:00 PM (same day)
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Location: 136 Progress Drive
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Sign up for an in-person slot: https://signup.com/go/fkiJLFY
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Video auditions: Send to james@southernshakes.org by January 25 at 5:00 PM
Actors should be local to Tallahassee. Walk-ins are welcome! Auditionees are encouraged to prepare up to 60 seconds of memorized text, preferably a Shakespearean verse monologue—but any prepared piece is welcome. No monologue? No problem. Come anyway. Your interest and presence matter most.
About the show: To close our season, the Museum’s majestic live-oak groves will transform into fairy-filled pathways as small audience groups follow a guided trail through the world of A Midsummer Night’s Dream. Along the way, they’ll encounter Puck’s pranks, Titania’s enchanting court, and the Rude Mechanicals’ comic capers—plus faeries flying overhead on zip lines. This 90-minute, no-intermission adventure promises magic, mischief, and delight at every turn.
Overview of Roles
Lysander
Track: Lover
Character qualities: Romantic, impetuous, sincere, occasionally hot-headed. He’s passionate and quick to fall into jealousy or devotion.
Actor type: A youthful leading man or woman with charm, comedic timing, and emotional flexibility.
Demetrius
Track: Lover
Character qualities: More rigid and self-assured than Lysander, Demetrius begins as the antagonist in the love plot but transforms into a more open, softened figure by the end.
Actor type: Physically confident performer who can play both arrogance and tenderness believably.
Hermia
Track: Lover
Character qualities: Fiery, loyal, brave, and quick to defend her heart. Her emotional volatility contrasts nicely with Helena’s height and self-deprecation.
Actor type: Strong comedic instincts, expressive physicality, and the ability to shift from passion to frustration in an instant.
Helena
Track: Lover
Character qualities: Romantic, insecure, witty, and resilient. Her self-effacing humor and persistence make her the most self-aware of the lovers.
Actor type: Tall or contrasting physicality to Hermia helps the visual humor, but most important is emotional openness and comic rhythm.
Theseus / Oberon
Track: Ruler / King of Fairies
Character qualities: Theseus is grounded, rational, and regal; Oberon is mystical, proud, and jealous — yet both are authoritative figures who struggle with love and control.
Actor type: Commanding presence, rich voice, capable of both gravitas and magical allure. This doubling emphasizes the “dream” parallel between Athens and Fairyland.
Hippolyta / Titania
Track: Queen / Fairy Queen
Character qualities: Hippolyta is poised, observing; Titania is passionate and independent. Both women possess grace and inner strength.
Actor type: Mature performer with elegance and sensuality — someone who can command a stage through stillness and nuance.
Egeus / Puck
Track: Authority / Trickster
Character qualities: Egeus is stern and patriarchal; Puck is mischievous and free-spirited. Their doubling underscores control vs. chaos.
Actor type: Quick-witted physical actor comfortable with both classical rhetoric and clowning. Needs agility and spark.
Bottom / Pyramus
Track: Comic centerpiece
Character qualities: Endearingly egocentric, theatrical, and full of heart. Bottom drives the humor but must remain lovable.
Actor type: Seasoned comic actor with great timing and vocal versatility — comfortable playing both broad farce and genuine emotion.
Quince
Track: Organizer / Framer
Character qualities: Quince is the “director” of the mechanicals — nervous, officious, yet earnest. The Narrator role suggests a guiding voice, connecting worlds or helping transitions.
Actor type: Strong communicator, clear diction, and calm authority; ideally someone who can ground the comedy with sincerity.
Snug / Lion
Track: Sweet simplicity
Character qualities: Gentle, shy, eager-to-please. His attempt to be ferocious as the Lion is comic gold.
Actor type: Warm presence and physical humor; often a scene-stealer.
Flute / Thisby
Track: Innocent turned romantic
Character qualities: The reluctant romantic lead of the mechanicals, who ultimately delivers unexpectedly moving sincerity.
Actor type: Youthful, expressive actor with comic timing and surprising emotional depth.
Snout / Wall
Track: Straight man / literalist
Character qualities: Dutiful and a bit slow on the uptake, Snout’s commitment to being a “Wall” becomes absurdly funny.
Actor type: Good deadpan humor and ability to sell physical comedy through stillness.
Starveling / Moonshine
Track: Earnest, dry humor
Character qualities: Fussy and precise, Starveling takes his small part seriously, which makes it even funnier.
Actor type: Character actor with dry wit and subtle comedic instincts.
General Audition Information
All currently open auditions for Southern Shakespeare Company shows are listed here and on our social media. Typically, auditions request at least one <60 second monologue suited to the show’s style.